Satan rir media (‘Satan Rides the Media’) is a 1998 Norwegian documentary by Torstein Grude. The film covers the controversy that surrounded black metal musician Varg Vikernes in the early 1990s, who not only has been tied to a series of church arsons in Norway, but received widespread media attention for the murder of Mayhem band member Øystein "Euronymous" Aarseth.
A film editor's setup. A man plays with a balloon.
A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.
Three students embark on their end of year Media Studies project unaware of the horrific and unspeakable fate that awaits them. What starts as a seemingly simple mystery soon turns into a claustrophobic and hellish nightmare.
The film traces the history of the camera obscura, the understanding of perspective and anamorphosis, peepshows and it shows the beauty of historical shadowtheaters and shadow toys.
Two rival rodeo bull riders fight for the top prize and the love of a woman.
Other essential predecessors of film were those devices that created the illusion of motion by taking advantage of the persistence of vision and the stroboscopic effect, such as the thaumatrope, phenakistoscope or wheel of life, zoetrope or magic drum and praxinoscope and later on, the more sophisticated flip-books such as the kinora and mutoscope.
This lively documentary explores the rise and fall of physical media from the origin of film all the way through the video store era into digital media, focusing on B-movie and cult films. With icons like Joe Bob Briggs (MonsterVision), Lloyd Kaufman (Toxic Avenger), Greg Sestero (The Room), Debbie Rochon (Return to Nuke 'Em High), Deborah Reed (Troll 2), Mark Frazer (Samurai Cop), James Nguyen (Birdemic) and many others.
The film looks at ways of creating spezial illusions through amiguous images, perspective theatres, folding peepshows and from the 19th century, the stereoscope, which look forward to today’s holography.
We've been invaded again, but this time is our own fault: We've created New Media. They've dominated the human race, changing themselves into biomecanical appearance self-sufficient organisms.
Living in the lap of luxury through no achievement of his own, an out of touch, middle-aged poseur tries to make good by getting in on the 'viral video' craze.
Meet Astrid. Proof that anyone can be on TV. Anyone.
From the front lines of the bankrupt Chicago Tribune, to the vibrant local online publishing and start-up scene, pioneering journalists struggle to reinvent a storied, yet troubled industry. "Mashed Media" visits bloggers, independent publishers, hacker journalists, and social media mavens working in the trenches of Chicago, providing a rare and intimate look at the future of journalism now.
ABC In Concert, The Mike Douglas Show, Cadillac, Ron Sander's Max Kinkel News, Don Kirschner's Rock Concert, The People Choice Award, Night Bird, The Last Word, Alive II Promo, The American Music Awards, The Land Of Hype and Glory, Dick Clark's Golden Greats
In this short video work, fragments of found footage suggest the analysis of bodies in space: humans, technology, architecture and movement, through the process of swelling industrialization and urbanization to a point where humanity is redefined by the machinery it has created. In viewing the process of montage we can be seen to occupy multiple spaces through the same screen, fragmented. Similarly, the continuous physical timeline of a twenty-first century individual can be seen as fragmented across multiple forms of information. Where is this information... and who, or what, is processing it? Darren Banks (UK) incorporates found and made film footage into sculpture and installation to explore ideas about domesticity, defunct technologies, cinema and the unknown. His work questions the perception of sculpture in relation to objects, film and memory.
An advertising startup uses birds to spread its message. Documentary.
The history of the magic lantern with demonstrations of moving slides, watertank or polarisation slides, followed by images on paper, which are brought to life with mechanical manipulations, with light shining through them or as panorama.
Two rival rodeo bullfighters try to save a kidnapped girl.
An Australian media analysis television program currently focusing on critiquing the Australian media.
Eating Media Lunch was a satirical New Zealand news show hosted by Jeremy Wells. It aired on TV 2 and online on TVNZ ondemand from 2003 to 2008. The show was frequently controversial during its run.
The annual presentation of the GLAAD Media Awards honoring films, television shows, musicians and works of journalism that fairly and accurately represent the LGBT community and issues relevant to the community.
The IFC Media Project is an American television series, which airs on the Independent Film Channel in the United States. The show is a documentary series which examines America's news media and seeks to uncover the truth about the news. In its first two seasons it was hosted by award winning journalist Gideon Yago and featured in-depth reporting on controversial topics facing today's media through its use of interviews and documentary footage. In the third season, the show dropped its "magazine-style" format and focused each episode on telling 22-minute short documentaries under the tagline "4 Nights, 4 Journalists, 4 Stories." The third season follows award-winning journalists Max Blumenthal, Nir Rosen, Charlie LeDuff and Andrew Berends. The series is filmed at various locations and is produced by Meghan O'Hara and Nick McKinney.
Join Jay Smooth next week for the start of our next miniseries: Crash Course Media Literacy!
Social Media Star with Janice is a talk show where mainstream celebrities and new-age internet sensations sit down with host and creator, Janice Sequeira to discuss how the digital age has completely overhauled life as we know it.
The enchanted Princess Medialuna only comes out at night, when she explores and has fun with her friends Petunia and Chacabuco the toad.
Media Television was a Canadian television newsmagazine series, which aired weekly on Citytv from 1991 to 2004. It was also syndicated internationally, airing in over 100 countries around the world at some point during its run. The show, subtitled "The Modern Art and Science of Persuasion", offered a behind the scenes examination of the worlds of media, marketing, technology, the internet, print, radio, and television. It was one of the first syndicated programs to employ a videographer whose role was as camera, interviewer, and host all rolled into one. Media Television's primary contribution was its unique examination of worldwide advertising in an intelligent manner.
A physicist discovers a briefcase containing postdated documents and evidence which indicate he will die five days in the future.
Are You Afraid of the Dark? is a joint Canadian-American horror/fantasy-themed anthology television series. The original series was a joint production between the Canadian company Cinar and the American company Nickelodeon. The show was filmed in Richmond, British Columbia and in Montreal, Quebec including their suburbs. The episode "The Tale of the Twisted Claw" was aired as a pilot on the evening of October 31, 1991 in the USA and in October 1990 in Canada. Are You Afraid of the Dark? was aired from August 15, 1992 to April 20, 1996 on Nickelodeon's SNICK. The series also aired on the Canadian television network YTV from October 30, 1990 until June 11, 2000. A revived series with new directors, writers, and cast was produced by Nickelodeon from 1999 to 2000 and also aired on SNICK. The sole member from the original lineup to return for the sixth and seventh seasons was Tucker, although Ross Hull returned for the concluding miniseries, which notably broke from the show's established format by blurring the line between story and "reality".
What happens with two children commit two different muders in order to protect each other? Does salvation exist for them? In order to walk beneath the sun once more, Ryouji and Yukiho find themselves in a twisted web from which neither can escape without abandoning the other. Having no one but each other, this drama follows the events the follow that fateful day… 14 years ago.
Vivir a Destiempo is a Mexican telenovela produced by Fides Velasco and Jacky Castro for Azteca. It stars Edith González and Ramiro Fumazoni as the protagonists alongside Humberto Zurita, Andrea Noli and Wendy de los Cobos as the main villains. The original story and screenplay is written by Eric Vonn. From February 25 to September 20, 2013 Azteca 13 broadcast Vivir a Destiempo, replacing Los Rey.
Catherine lost her memory and wound up in a convent in the care of nuns. She tries to discover the terrible events which led to her condition, not realizing that she's being watched by a wealthy and powerful man who will do anything to protect his secret - a secret that only Catherine can reveal to the world.